When it comes to pottery, he gets a snake's eye.

His eyes are clearly different from when he worries about the future of the Dragons.

It is a righteous gaze that hates anything evil.

When you want to cast a ceramic artist as the culprit in a two-hour suspense drama, he's the perfect choice.

There's a theory that the Owari clan, the distant ancestors of the Nagoya people, were Zoroastrians, which might explain why this man is so passionate.

My past life was naturally that of a potter from the Mino-Momoyama period.

In this life, he was a fan of politics and professional wrestling, and I wonder if he would have cursed or beaten unscrupulous people with firewood.

Even a layperson like me knows about "Kakiden".

It seems that the president of the Mino Momoyama Party, who has been fighting his own unique, fringe candidate-like battle, has finally come within striking distance of winning.

Making the side dishes into miniature side dishes is a terrifying ambition, much like Sen no Rikyu's plan to shrink his tea room to the absolute minimum, reminiscent of the 1/8 scale plan from Ultra Q.

Ando is not anyone's disciple.

I've reached this point through sheer self-study.

I sincerely hope that discerning connoisseurs will not be swayed by prestige, but will instead appreciate the meticulous efforts that went into this.

Manabu Fujisawa (Kodansha Morning Editorial Department)