~Welcome to the Resort of the Soul~ Takanori Aiba 's Bird's-Eye View and Insect's-Eye View: A Collection of Ingenious Works
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The original artworks on display are also available in the following three types of giclée prints (*).
① Giclée print in actual size
② Giclée prints in actual size with glitter or other embellishments applied.
③ Giclée print at 50% size
*What is a giclée print?
Giclée is a French word meaning to color by spraying. Giclée prints are reproductions that faithfully recreate the original artwork by digitizing it using advanced digital technology. In recent years, it has attracted attention as a technique that can reproduce the original artwork most faithfully.
*Regarding the above works
Title: Resort of the Heart - Bonsai Michelin F-1 Resort
Price: 2,625,000 yen (Giclée print: 171,150 yen)
Dimensions: Actual size 84 x 76 cm, framed size 110.5 x 102.5 cm
| Exhibition period Schedule |
September 2, 2011 (Fri) – September 8 (Thu) September 2 - September 8, 2011 |
| Gallery opening hours Opening Hours | Open from 11:00 AM to 7:00 PM (until 5:00 PM on the last day). Open every day during the exhibition period. |
| Introduction Introduction |
Visual Adventures - Takanori Aiba 's Spatial Aesthetics Kazuko Todate (art critic) Takanori Aiba (1953- ), who has proposed new ways of creating exciting amusement spaces for people, such as the Shin-Yokohama Ramen Museum, the Hakone Saint-Exupéry Little Prince Museum, the Kan-Etsu Expressway Yorii Little Prince PA, and Pink Latte, will hold his first solo exhibition. The exhibition features Aiba's main design drawings from 2003 to the present (2011), as well as models created by Kazuya Murakami based on Aiba's original drawings. Aiba's original drawings, which begin as pencil sketches and are finished with pens and colored inks, have gained a dazzling brilliance and density over the past six months with the addition of nail enamel and Swarovski crystal decorations. Although all of these are based on fantastical ideas, they never feel like mere fantasies; rather, they evoke a sense of reality, primarily because they are drawn with meticulous detail and without any compromise. Moreover, while the design drawings themselves are naturally two-dimensional, they are drawn with the sides, back, and all 360 degrees in mind, and sometimes even the interior. Facing a flat sheet of paper, Aiba's gaze freely roams the buildings and spaces, as if tracing a spiral or deliberately wandering into a maze. It is a dynamic gaze that is both "like a bird" and "like the wind." According to Aiba, the origin of his work lies in Walt Disney and mazes. He is a self-proclaimed Disneyland enthusiast and was once a maze artist. Indeed, his perspective and sense of space, which moves freely between two and three dimensions, are reminiscent of the world of Disney, and his uncompromising attention to detail and bird's-eye view are essential for creating mazes. The design drawings for this project also include grand-scale bird's-eye views, which are typical of Aiba's ability to simultaneously be aware of both the micro and macro aspects. No matter how you examine the details of the building, it's a space filled with rich stories and anecdotes, where unique characters will emerge. Murakami's model demonstrates that Aiba's world, packed with his spirit of service to the extreme, is actually possible to realize. Murakami, who studied civil engineering, is also a realist who can share Aiba's dreams. His early models, in particular, at first glance resemble bonsai trees. Bonsai, which attempts to breathe the spirit of majestic nature into a small space, reflects traditional Japanese aesthetics, and this aesthetic can certainly be glimpsed in Aiba's bonsai-style models. However, the density and narrative quality of Aiba's works possess an extraordinary spatiotemporal dimension and detail that differs from the world realized under the physiology and time constraints of a single plant. "Unprecedented reality" created by contemporary spatial creator Takanori Aiba . Welcome to Aiba's world, a "resort for the soul" that liberates the viewer's imagination. |
| notice Notice | Opening Reception Invitation: Friday, September 2, 2011, 5:00 PM - 7:00 PM at Kakiden Gallery |
| Main exhibited works Main Exhibited Works |
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No.1
| Work name | A Resort for the Soul - Part 1: Bird's-eye View |
| price | 1,890,000 yen (Giclée print: 170,100 yen) |
| size | Actual size 60 x 60 cm, frame size 86 x 86 cm |
No.2
| Work name | Bonsai - Summer, a resort for the soul |
| price | 1,470,000 yen (Giclée print: 169,050 yen) |
| size | Actual size 55 x 40 cm, framed size 75 x 60 cm |
No.3
| Work name | Bonsai McDonald's Circus Resort - A Resort for the Soul |
| price | 2,625,000 yen (Giclée print: 171,150 yen) |
| size | Original size: 84 x 76 cm; Frame size: 110.5 x 102.5 cm |
No.5
| Work name | NINJA Tower (Hanging Scroll) |
| price | 525,000 yen |
| size | Original size 59.4 x 42 cm, framed size 141 x 64 cm |
No.6
| Work name | Bonsai - Autumn, a resort for the soul |
| price | 1,470,000 yen (Giclée print: 169,050 yen) |
| size | Actual size 55 x 40 cm, framed size 75 x 60 cm |
No.7
| Work name | A Resort for the Soul - 2 Bird's-eye View |
| price | 1,890,000 yen (Giclée print: 170,100 yen) |
| size | Actual size 60 x 60 cm, frame size 86 x 86 cm |
No.8
| Work name | Bonsai - Winter, a resort for the soul |
| price | 1,470,000 yen (Giclée print: 169,050 yen) |
| size | Actual size 55 x 40 cm, framed size 75 x 60 cm |
No.9
| Work name | Bonsai Milk Package |
| price | 1,890,000 yen (Giclée print: 170,100 yen) |
| size | Original size 56 x 76 cm, framed size 78.5 x 98.5 cm |
No.11
| Work name | Bonsai Treehouse 1 |
| price | 210,000 yen |
| size | Original size: 21 x 29.7 cm; Frame size: 43.5 x 52.2 cm |
No.12
| Work name | Bonsai Hawaiian Pineapple Resort |
| price | 3,360,000 yen |
| size | W:42×B:42×H:70 (Glass case size) |
No.13
| Work name | Rock Island, a resort for the soul |
| price | 10,500,000 yen |
| size | W:30×B:30×H:72 (Glass case size) |
Regarding sales methods
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- DMWe accept advance reservations for the works displayed on this website before the exhibition begins. We will contact you approximately 20 days before the first day of the exhibition.DMWe ship the items and upload information to this website at almost the same time.
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- For those who are unable to visit our gallery in person, we are happy to accept orders by phone or email.
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- We look forward to receiving your inquiries.



