Hagi-denryu III -Tsukasa-
HAGI Den Ryu Ⅲ -Ceramic art exhibition by 6 potters-
| Exhibition period Schedule |
April 12, 2021 (Mon) – April 18 (Sun) April 12 - April 18, 2021 |
| Gallery opening hours Opening Hours | From 11:00 AM to 7:00 PM (until 5:00 PM on the final day, April 18th) Open every day during the exhibition period. Open daily 11 am to 7 pm except for April 18, when the gallery will close at 5 pm. |
| Exhibiting artist Artist | Yasushi Okada Okada Yasushi Yuuta Saka SakaYuta Masahiro Sakakura Sakakura Masahiro Akihiro Shinjou Shinjo Akihiro Takao Tahara Tahara Takao Shin'ichi Tamamura Shin'ichi Tamamura (Alphabetical order) |
| Introduction Introduction |
On March 27, 1689 (Genroku 2), Matsuo Basho, accompanied by his disciple Sora, departed from Fukagawa in Edo. This was the beginning of his travelogue, "The Narrow Road to the Deep North." It was on April 3rd that I visited the Kanokohata Suito peach tree in Kurobane, Nasu, after traveling from Senju through Kasukabe, Kanuma, and Nikko. A kasen (linked verse) performance is being held here. A kasen is a 36-verse linked verse, starting with the opening verse, followed by the exchange of verses from the second verse to the final verse. If the preceding phrase is a long phrase (5-7-5 syllables), a short phrase (7-7 syllables) is added; if it is a short phrase, a long phrase is added.
Since this year's "Hagi Denryu III" will be held in April, I have suggested that each person write a free piece, with the six verses on the front and the six verses on the back of the "Magusa Ou" linked verse, which was performed in Nasu in the same month of April, and the former being tea. Since none of the six had any experience with linked verse, I was worried about what kind of response I would get, but fortunately, everyone replied that they would like to take on the challenge. However, whether this proposal will be successful or unsuccessful remains to be seen until the work is completed.
I was once told by Kenzo Koga of the Institute for Tea Ceremony Culture, "The tea ceremony is literature. That's why all the tea masters of the past enjoyed renga (linked verse)," which reminded me of the "renga under the cherry blossoms" of the medieval period. In spring, at linked verse gatherings held under the cherry blossoms to mourn the dead, Buddhist monks act as the participants, leading the discussion, while ordinary people participate anonymously, wearing straw hats, when submitting their verses. That is said to be the origin of the custom of sharing drinks in the tea ceremony. Since all six of the participants in the "Hagi Tradition Exhibition" enjoy the tea ceremony, it would certainly not be a waste of time to try to socialize with them in this way.
In the linked verse, Basho composed the opening verse: "A man grazing on fodder in the summer field, breaking off branches." The season is summer. The opening verse serves as the greeting at the beginning of the collection, so its form and status are highly valued. Akihiro Shinjouof≪Tea bowl name “Ki”≫It is a dignified piece that respects the tradition of Hagi ware, befitting a haiku. While "maki" refers to pasture grass, the artist expresses elegance through carved patterns resembling pampas grass. Free choice≪Dish name “Shiranami”≫The design is inspired by the two farewell verses composed by Nisun: "The white waves of the waterfall scatter the washed rice."
The wakiku, which follows the hokku, has the role of complementing the hokku and is written in the same season as the hokku. In the linked verse, Suito writes, "A chestnut leaf spills green raspberries." The meaning of the haiku is that, unable to offer any hospitality, the host placed raspberries on a chestnut leaf as a substitute for a tray, but the raspberries spilled out. It conveys a sense of humility, as if saying, "I am still immature, like a green raspberry." Shin'ichi Tamamuraof≪Hagi tea bowl inscribed “Fukubonko”≫The design deliberately uses a subtle, pale pink to represent raspberries. The free-form piece is inspired by Momori's poem, "The last day of spring as Yayoi ends," and expresses her wish for the end of the coronavirus, the greatest calamity of our time.≪Hagi Incense Burner, inscribed "Sayaka"≫It was released.
The third line is a sudden reversal of fortune. In the linked verse, Sora wrote, "A sudden shower blows through the temporary huts of the market." The season is miscellaneous. It depicts the scene of a market closing down as a sudden shower begins to fall. Masahiro Sakakuraof≪The name of the bowl is “Fengfu”≫It is shaped using a hammering technique that is not bound by Hagi tradition, and the movement of the wind is expressed with brushstrokes, resulting in a magnificent transformation. Free choice≪Object "Sun Worshippers"≫This monument combines the sun, a natural element, with the human body, drawing inspiration from the lingering opening line of a haiku by Basho: "Today again, I worship the rising sun from atop a stone."
The fourth line and subsequent lines are simple verses. For the fourth line, simplicity and lightness are desirable. In the linked verse, Basho wrote, "The moon flows through the town, its sound echoing like a river." It is autumn. It is eerily quiet, and only the sound of the river can be heard.Mr. Yasushi Okadaof≪White-glazed tea bowl with green accents, inscribed "Kawaoto" (River Sound)≫This represents the sound of the river. The clear blue is beautiful on top of the white glaze.≪Pale blue glaze flower ware inscribed “Aoi Butterfly Flower”≫This depicts a scene of flowers fluttering like butterflies, inspired by the five verses at the end of the poem in which Akigarasu wrote, "Leaving my unusual journey behind among the flowers."
The fifth line is,Takao TaharaThe silhouette of the chopsticks hawk was boldly sculpted.≪Yukage tea bowl inscribed “Chopsticktaka”≫That is the case. In Kasen
Suito wrote the poem, "Enjoying the cool evening air while holding chopsticks and a hawk." This piece, unconstrained by traditional Hagi ware, beautifully captures the scene of an autumn evening. Free choice≪Glaze flower vase with inscription “Hagumo”≫This is derived from the last three verses of Sora's poem, "The flag flutters like clouds," and expresses the way the flag flutters like clouds.
In the linked verse, the sixth line is composed by Sora: "A katabira (a type of robe) painted with autumn grasses." The season is autumn.Yuuta Sakaof≪A kneaded and patched tea bowl, inscribed "Dyed Katabira"≫It is made by cutting out a part of a tea bowl that has been hand-formed from white clay and gluing together striped pieces made by layering various types of clay. The design is inspired by the image of a kimono dyed with natural plant dyes. Free choice≪Princess - Oni-do Nerikomi Flower Vase, inscribed "Oku no Fuga" (Elegance of the Inner World)≫In the final four verses of the ceremonial poem, Shirin wrote, "I will write down the elegance of the inner world in my writing," and the refined elegance is expressed through the kneaded pattern that emphasizes the ridges.
Please look forward to the new challenges of the six participants in "Hagi Denryu III".
Kouichi Mori (Art critic, Standing Director of the Japan Ceramic Society) |
| Biography Biography | ■ Akihiro Shinjou Shinjo Akihiro Born in 1985 in Nagato City, Yamaguchi Prefecture, as the eldest son of Sadaji, the 14th generation of the Shinjo Sukeemon Kiln. Graduated from Waseda University in 2010. In 2013, I completed the Kyoto City Traditional Industrial Technology Training Program and began pottery making under my father's guidance. 2017 Hagi-denryu - Exhibition of Six Young Artists - (Kakiden Gallery) 2019 Hagi Tradition II - From the Beginning Exhibition - (Kakiden Gallery) ■ Shin'ichi Tamamura Tamamura Shinichi Born in 1969 in Hagi City, Yamaguchi Prefecture. 2000: Completed the Master's Program in Law, Graduate School of Social Sciences, Hiroshima University. He studied under his father, Toyo, and began making pottery. 2001: Selected for the 36th Western Craft Exhibition (and subsequently selected 9 more times). 2007: Exhibited at the 1st Korea-Hagi Ceramic Art Exchange Exhibition (Seoul), and continued to exhibit until the 5th exhibition. Hagi City Art Association Chairman's Award 2008: Selected for the Hagi Grand Prize Exhibition I, showcasing contemporary ceramic art (and subsequently selected three more times). 2014: Selected for the 61st Japan Traditional Crafts Exhibition (and subsequently selected three more times). 2015: Selected for the 23rd Japan Ceramic Art Exhibition (and selected once more since). 2017 Hagi-denryu - Exhibition of Six Young Artists - (Kakiden Gallery) 2019 Hagi Tradition II - From the Beginning Exhibition - (Kakiden Gallery) 2019 Contemporary Ceramics Hagi Grand Prize Exhibition V - Special Jury Prize ■ Masahiro Sakakura Sakakura Masahiro Born in Yamaguchi Prefecture in 1983. His father was the 15th generation Sakakura Shinbei. 2009: Completed the Department of Sculpture and the Graduate School of Sculpture at Tokyo University of the Arts. Completed Kyoto City Traditional Industries Technician Training Program in 2011. 2017: Appeared on Discovery Channel's "Door to Tomorrow". Hagi-den Style - An Exhibition of Six Young Artists - (Kakiden Gallery) Appeared on "The Night Before the Breakthrough" (BS Fuji) in 2019. Hagi Tradition II - From its Origins - (Kakiden Gallery) 2019 Contemporary Ceramics Hagi Grand Prize Exhibition V - Honorable Mention 2020: First solo exhibition (Kakiden Gallery) ■ Yasushi Okada Okada Yasushi Born in Hagi City, Yamaguchi Prefecture in 1976. Graduated from the Department of Sculpture, Faculty of Fine Arts, Tokyo Zokei University in 2002. 2005: Completed the Ceramics Specialization Course at the Kyoto City Industrial Research Institute. 2009: Japan Traditional Crafts Exhibition (selected 11 times since then) 2013: Received the Kikuchi Biennale Encouragement Award, exhibited at the 60th Anniversary Exhibition of the Japan Traditional Crafts Exhibition, "From Crafts to KOGEI". 2015 Japan Ceramics Exhibition: Excellent Work Award and Mainichi Shimbun Award 2016 Yamaguchi Traditional Crafts Exhibition: Japan Crafts Association Yamaguchi Branch Chief's Award 2017: Energia Art Award, Yamaguchi Prefecture Arts and Culture Promotion Encouragement Award Hagi-den Style - An Exhibition of Six Young Artists - (Kakiden Gallery) 2019 Hagi Tradition II - From the Beginning Exhibition - (Kakiden Gallery) 2019: Contemporary Ceramics Hagi Grand Prize Exhibition V - Excellence Award Studied under his father, Yuu Okada (Holder of Hagi ware, a designated intangible cultural property of Yamaguchi Prefecture). ■ Takao Tahara Tahara Takao Born in 1982 in Nagato City, Yamaguchi Prefecture. 2005 Tokyo University of the Arts Graduation Exhibition, Sugawara Prize 2007: Completed graduate studies in sculpture at the Graduate School of Fine Arts, University of Tokyo. 2010: Trained in Mino (under the tutelage of Master Seiya Toyoba) In 2011, he began studying pottery under his father, the 13th generation Tobei. 2016: Selected for the Japan Traditional Crafts Exhibition (and selected five more times since), and received an Excellence Award at the Yamaguchi Prefecture Art Exhibition. Eiffel Tower Tea Party 2018 [Paris, France] 2017 Hagi-denryu - Exhibition of Six Young Artists - (Kakiden Gallery) 2019 Yamaguchi Traditional Crafts Exhibition: Japan Crafts Association Yamaguchi Branch Chief's Award Hagi Tradition II - From its Origins - (Kakiden Gallery) 2020 Japan Ceramic Society Contemporary Ceramics Encouragement Award, Chugoku-Shikoku Exhibition "Appreciation" Category, Encouragement Award Currently a full member of the Japan Crafts Association. ■ Yuuta Saka Saka Yuta Born in 1988 in Mito-cho, Yamaguchi Prefecture, to his mother, Junko Saka (later the 13th generation Kōraizaemon). Graduated from Kyoto University of Art and Design, Department of Fine Arts and Crafts, Ceramics Course in 2010. 2011: Graduated from Kyoto Prefectural Advanced Technical School for Ceramics. 2013: Completed the Ceramics Application Course, Traditional Industrial Technology Successor Training Program, Kyoto City Industrial Technology Research Institute. She returned to Hagi and began pottery making under the tutelage of her mother, the 13th generation Kōraizaemon. In 2014, following the death of the 13th generation head of the family, he inherited the Sakako Reizaemon kiln. 2017 Hagi-denryu - Exhibition of Six Young Artists - (Kakiden Gallery) 2019 Hagi Tradition II - From the Beginning Exhibition - (Kakiden Gallery) 2019: Selected for the Hagi Grand Prize Exhibition, showcasing contemporary ceramic art. Selected for the 2020 Tea Ceremony Art Exhibition (Shimane/Tanabe Museum of Art) |
| Artist in the gallery day Date Artist in Gallery | Yasushi Okada April 15th (Thu) - 18th (Sun) Yuuta Saka April 15th (Thu) - 18th (Sun) Masahiro Sakakura April 12th (Mon) - 15th (Thu) Akihiro Shinjou April 15th (Thu) - 18th (Sun) Takao Tahara April 12th (Mon) - 15th (Thu) Shin'ichi Tamamura April 15th (Thu) - 18th (Sun) *Please note that due to the impact of the COVID-19 pandemic, there is a possibility that this information may change. |
| Exhibited works Exhibited Works | Tea bowls, flower vases, hanging flower vases, water containers, tea sets, incense burners, sake bottles, sake pitchers, sake cups, large bowls, plates, etc. |
| DM Direct Mail | This exhibitionDMSee（PDF） |
| notice Notice | ■ Information about the special exhibition in the tea room We had originally planned a commemorative tea ceremony with the theme of "travel" for Thursday, April 15th, but unfortunately, we had to cancel it due to the COVID-19 pandemic. Therefore, the utensils that were intended for use in the tea ceremony will be set up in the Kakiden Tea Room and displayed as a special exhibition. We hope you will take the time to see it in conjunction with the exhibition at the gallery. ・Date and time: Thursday, April 15, 2021 11:00-18:00 • Venue: Kakiden 9th floor, Shinjuku, Tea Room "Zangetsutei" (same building as our gallery) Membership fee: Free ■Possibility of changes to the event due to the COVID-19 pandemic We regret to inform you that, given the current COVID-19 situation, if we are asked to further restrict business operations, we may have to change the exhibition period and hours, or in the worst-case scenario, hold the exhibition online only. We would appreciate your understanding. We apologize for the inconvenience, but we will be posting the latest information on this website, so we would appreciate it if you would check it regularly. ■ Measures to prevent the spread of COVID-19 To ensure that all visitors can enjoy their time at our gallery with greater peace of mind, we are implementing the following measures to prevent the spread of COVID-19. We appreciate your understanding and cooperation. 1. A request to our valued customers We have placed alcohol-based hand sanitizer at the entrance of our gallery and the building. We kindly ask that you disinfect your hands upon arrival. Please wear a mask when you go out. Currently, if you have a fever or are feeling unwell, we kindly ask that you refrain from visiting the gallery. If you have visited a doctor or taken medication for fever or a cold within the past two weeks, or if you have traveled abroad, we kindly ask that you refrain from visiting the gallery. To help reduce crowding in the store, we kindly ask that you visit in small groups whenever possible. We regret to inform you that, for the time being, we will be suspending the tea service, including gyokuro tea, which we previously offered to our customers during the COVID-19 pandemic. 2. What our gallery is working on We installed a high-performance ventilation system, "Lossnay" (manufactured by Mitsubishi Electric), in our gallery on January 6, 2021. This new, powerful ventilation system ensures that all the air in our gallery is replaced every 15 to 20 minutes. In addition, the entrance door is kept open at all times to ensure even better ventilation. We have installed a new carbon dioxide concentration meter on the counter, effective April 2nd. Generally, our gallery's carbon dioxide meter shows readings of 450-550 ppm (the average carbon dioxide concentration indoors is approximately 1,000 ppm), so please rest assured and enjoy your time at our gallery. • For hand sanitizing, we use disinfectant solution from Shiseido. It contains moisturizing ingredients that are gentle on the hands, and has been well-received by our customers. We will further strengthen our daily cleaning procedures. We regularly disinfect with alcohol on frequently touched surfaces such as elevator buttons, tables and chairs, entrance door and toilet handles, brushes and pens, even during business hours. If our gallery becomes crowded with many visitors and we determine that it is becoming too close to the public, we may ask you to limit entry to the gallery. Our gallery staff will wear masks, undergo temperature checks and health monitoring, and thoroughly disinfect their hands with alcohol while serving customers. On March 30, 2021, all staff members underwent PCR testing (at Nishitan Clinic), and all tested negative. We will continue to conduct PCR tests throughout the year. We sincerely look forward to your visit to our gallery. |
| Main exhibited works Main Exhibited Works |
|
| Author name | Akihiro Shinjou |
| Work name | Tea bowl "Maki" [Sold] A man weeding fodder in the summer field, picking branches. -Basho- [Translation] When I was looking for your home in the vast Nasuno plain, I was greatly helped by the person carrying fodder on their back who served as a guide. |
| price | 75,000 yen (excluding tax) (82,500 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | φ 12.1 × H 7.5(㎝) |
| Author name | Shin'ichi Tamamura |
| Work name | Hagi tea bowl "Fukubonshi" [Sold] Chestnut leaves spilling blue raspberries -Suimomo- [Translation] I was so sorry that you had come all this way, but I couldn't offer you any hospitality. At the very least, I thought I would offer you some strawberries on a chestnut leaf as a substitute for a tray, but the strawberries spilled out of the leaf. |
| price | 100,000 yen (excluding tax) (110,000 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | φ 13.8 × H 8.3(㎝) |
| Author name | Masahiro Sakakura |
| Work name | Bowl "Hyoufu" [Sold] A sudden shower blows through the marketplace -Sora- [Translation] The stall at the market (selling the blue strawberries) was blown away by a sudden gust of wind mixed with a passing shower. |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 16.0 × D 11.9 × H 8.2(㎝) |
| Author name | Yasushi Okada |
| Work name | White-glazed tea bowl with green accents, "Kawaoto" (River Sound) [Sold] The moon flows through the town, its sound echoing. -Basho- [Translation] (At dusk, when a sudden gust of wind mixed with a passing shower blew away the town's temporary shelters) Before long, the sky had cleared completely, and the moon hung high in the sky. And through the town, the sound of a river could be heard. |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | φ 13.1 × H 7.5(㎝) |
| Author name | Takao Tahara |
| Work name | Evening Shadow Tea Bowl "Hashi Taka" [Sold] Enjoying the cool evening air with chopsticks in hand. -Suimomo- [Translation] (The moon hangs in the sky, and the sound of a river can be heard through the town.) Along the riverbank, an old man is enjoying the evening breeze, holding a hawk and taming it. |
| price | 110,000 yen (excluding tax) (121,000 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | φ 16.2 × H 7.2(㎝) |
| Author name | Yuuta Saka |
| Work name | Nerikomi-style patchwork tea bowl "Dyed Katabira" [Sold] Autumn grasses painted on a katabira (a type of kimono) -Sora- [Translation] (Beside the old man with the hawk in his hand) there was a beautiful woman wearing a gorgeous kimono with an autumn grass pattern... who could she be? |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 14.8 × D 12.9 × H 9.2(㎝) |
| Author name | Masahiro Sakakura |
| Work name | Followers of the Sun [Sold] Once again today, I stand on a rock and worship the rising sun. -Basho- [Translation] (The exile) sits on a cold stone, cherishing the life of being today, and now, in devotion to nature, he worships the rising sun. |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 17.6 × D 8.8 × H 28.5(㎝) |
| Author name | Akihiro Shinjou |
| Work name | Plate "Shiranami" [Sold] White waves of a waterfall scattering washed rice -2 sun- [Translation] (The ascetic who worships the rising sun) is washing rice with the waterfall's water and preparing his breakfast. |
| price | 35,000 yen (excluding tax) (38,500 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | φ 27.4 × H 4.0(㎝) |
| Author name | Takao Tahara |
| Work name | Glazed vase "Hatagumo" [Sold] The clouds on the flag fluttered in the wind. -Sora- [Translation] (Looking up at the mountaintop from the stream where rice is washed) It is as if countless battle flags are fluttering in the wind, like clouds drifting by. |
| price | 75,000 yen (excluding tax) (82,500 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 13.2 × D 13.0 × H 24.8(㎝) |
| Author name | Yuuta Saka |
| Work name | Hime-Oni-Tsuchi-Kneaded Flower Vase "Oku no Fuga" [Sold] To capture the refined elegance of the inner world in writing -Wing rings- [Translation] (As I look at the fluttering flag), I am reminded of the many battles in Oshu and the linked verses associated with them, and I am reminded of the journey ahead of the old man as he sets out on his way to the depths of that region, and I would like to write these things down. |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 10.9 × D 9.0 × H 25.4(㎝) |
| Author name | Yasushi Okada |
| Work name | Pale blue glaze flower ware “Aochoka” Leaving a rare journey behind in the flowers -Autumn Crow- [Translation] (The old man who is about to embark on a journey into the depths of the mountains) is being detained by these blooming flowers, as the guest of the journey. |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 15.2 × D 16.0 × H 22.0(㎝) |
| Author name | Shin'ichi Tamamura |
| Work name | Hagi incense burner "Seiko" [Sold] The last day of spring as Yayoi (March) draws to a close -Momori- [Translation] As the month of Yayoi (March) draws to a close, the flowers are now fading, and like the cherry blossoms, our elegant feast is also quietly coming to an end. (I sincerely hope that, if the time is right, we can once again share such a feast with you in this village of Kurobane during the flowering season.) |
| price | 60,000 yen (excluding tax) (66,000 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | W 11.9 × D 9.8 × H 13.6(㎝) |
| Author name | Yasushi Okada |
| Work name | Light blue glazed tea bowl [Sold] |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | Φ 14.0 × H 8.5 (㎝) |
| Author name | Yuuta Saka |
| Work name | Red clay tea bowl [Sold] |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | Φ 14.5 × H 7.4 (㎝) |
| Author name | Masahiro Sakakura |
| Work name | Tea ceremony utensils [Sold] |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | Φ 6.0 × H 10.3 (㎝) |
| Author name | Akihiro Shinjou |
| Work name | Tea bowl [Sold] |
| price | 70,000 yen (excluding tax) (77,000 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | Φ 11.8 × H 7.8 (㎝) |
| Author name | Takao Tahara |
| Work name | Flowing white glazed tea bowl [Sold] |
| price | 120,000 yen (excluding tax) (132,000 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | Φ 14.5 × H 7.0 (㎝) |
| Author name | Shin'ichi Tamamura |
| Work name | Indigo-glazed sake bottle vase [Sold] |
| price | 28,000 yen (excluding tax) (30,800 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) |
| size | Φ 14.0 × H 15.5 (㎝) |
| Work name | [From left] Akihiro Shinjou / Sake Cup [Sold] Yasushi Okada / light blue glaze sake ware Takao Tahara / Hashi Takahai [Sold] |
| price | 7,000 yen excluding tax (7,700 yen including tax) 20,000 yen (excluding tax) (22,000 yen including tax) 11,000 yen (excluding tax) (12,100 yen including tax) |
| box | Comes with a paulownia wood box (to be delivered later) Comes with a paulownia wood box (to be delivered later) Comes with a paulownia wood box. |
| size | Φ 8.0 × H 5.4 (㎝) W 12.2 × D 9.3 × H 9.3 (㎝) Φ 9.4 × H 3.9 (㎝) |
| Work name | [From left] Yuuta Saka / White Clay Sake Cup [Sold] Shin'ichi Tamamura / Guinomi (sake cup) Masahiro Sakakura / Shrine Red Clay Sake Cup Daido Kohiki |
| price | 7,000 yen excluding tax (7,700 yen including tax) 8,000 yen (excluding tax) (8,800 yen including tax) 12,000 yen (excluding tax) (13,200 yen including tax) |
| box | Comes with a paulownia wood box. |
| size | W 7.0 × D 6.5 × H 5.2 (㎝) Φ 6.3 × H 4.3 (㎝) Φ 8.2 × H 3.7 (㎝) |
Regarding sales methods
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- DMWe accept advance reservations for the works displayed on this website before the exhibition begins. We will contact you approximately 20 days before the first day of the exhibition.DMWe ship the items and upload information to this website at almost the same time.
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- For those who are unable to visit our gallery in person, we are happy to accept orders by phone or email.
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- We look forward to receiving your inquiries.
