Kohei Nakamura tea bowl exhibition
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Kase-glazed black tea bowl
367,200 yen
Φ 11.5 × H 9.8 (㎝)
| Exhibition period Schedule |
July 16, 2018 (Mon) – July 22 (Sun) July 16 - July 22, 2018 |
| Gallery opening hours Opening Hours | Open from 11:00 AM to 7:00 PM (until 5:00 PM on the final day, the 22nd). Open every day during the exhibition period. |
| Introduction Introduction |
In memory of Haruzo Hayashiya
I had the privilege of having a very valuable relationship with Haruzo Hayashiya, and looking back, it always unfolded at Kakiden. This is my fourth solo exhibition at Kakiden, but when my teacher walked around the venue for the first time, he gave me some harsh words: "Kohei, if you had the courage to break all the tea bowls lined up here, you could become a great ceramic artist." After that, he would often say, "Just break them!" and "Kohei, you don't understand," which was almost a daily occurrence. However, despite his harsh words, he passionately explained the philosophy behind the tea bowl to me with more loving kindness than anyone else.
In the modern age, there must be a modern tea bowl. This was the core philosophy of the professor, but he placed more emphasis on talent than on the technical skills of ceramic artists, and I think he saw the potential for contemporary tea bowls in the talent of object makers. We are now in an era where almost all young ceramic artists make tea bowls, and this is undoubtedly due to the great contributions made by the master. There is another tea master in the history of the tea ceremony who sought certainty of talent rather than technical skill in his craftsmen. Rikyu undoubtedly intended to commission a tea bowl from a tableware craftsman, perhaps the two-colored lion sculpture. He happened to come across Chojiro's tile carvings and was astonished by his sculptural ability. Seeing the creative talent in a tile craftsman who lacked even pottery wheel skills, he commissioned him to make a tea bowl.
Actually, I'm worried that my intentions in creating the tea bowls might be going against Mr. Hayashiya's teachings. My teacher disliked "copy" tea bowls, but within me, a growing desire to return to classical traditions, a feeling of freshness in old and distinctly Japanese things, has led me to deepen my efforts in creating tea bowls with the intention of creating "modern classicals." I can almost hear the teacher's words, "Just break it!" from above, but I also feel like you might sympathize with my intentions.
Kouhei Nakamura
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| Biography Biography | Born in Kanazawa City in 1948 as the third son of Umeyama Nakamura. Graduated from the Sculpture Department of Tama Art University. 1989: Kazuo Yagi Award, '89 Contemporary Ceramics Exhibition - Grand Prix Winner - 1993: Signed a contract with Garth Clark Gallery (New York). 1996 Suntory Museum of Art Grand Prize Special Exhibition '96 1999: International Exhibition of Contemporary Ceramics (Metropolitan Museum of Art) 2012 "Craft Futurism," 21st Century Museum of Contemporary Art, Kanazawa "Exhibition of Contemporary Masterpieces of Tea Bowls" (Kikuchi Kanjitsu Memorial Chishin Museum) 2013 [Public Collection] The National Museum of Modern Art, Tokyo; The National Museum of Modern Art, Kyoto; The Metropolitan Museum of Art (New York); and others. |
| Artist in the gallery day Date Artist in Gallery | I plan to be at the gallery every day during the exhibition period. |
| Exhibited works Exhibited Works | Tea bowl, sake cup, calligraphy |
| DM Direct Mail | This exhibitionDMSee(PDF) |
| Main exhibited works Main Exhibited Works |
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Regarding sales methods
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- DMWe accept advance reservations for the works displayed on this website before the exhibition begins. We will contact you approximately 20 days before the first day of the exhibition.DMWe ship the items and upload information to this website at almost the same time.
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- For those who are unable to visit our gallery in person, we are happy to accept orders by phone or email.
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- We look forward to receiving your inquiries.



